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Nusrat Fateh Ali Khan, I believe, has a voice that arrests the listener. The spirit of prayer and devotion has never been more accessible, and enjoyable, for me. I copied the tape, distributed it to my friends and have proceeded to procure every Nusrat tape or CD available in India or the Internet. A cousin lent me a tape – Shahenshah, produced by Peter Gabriel. It was in Hyderabad again that qawwali re-entered my life. A sound that was integral to my world then, as it was not hard to come by qawwali being played or performed in Hyderabad, but a sound that I was only later to realise the power of. Till then, that particular form of mystic music was one among the distant sounds of my childhood years, spent in Hyderabad, India. In fact, it was only when Peter Gabriel rocketed him to fame on the Real World music label that I re-discovered the beauty of qawwali. But the music, on early albums like Nabi ke Gulshan and Furkat ke Sadme is just as powerful as the potion that Peter Gabriel brought to us. You will find a much thinner, and younger man than the one we have known. In them, however, you will not find the voluminous, rotund mass of musical genius that Nusrat was in his final years. Little did I suspect that in those gaudy stall-like establishments at the numerous dargahs that dot the Indian countryside lay a musician and singer of such power…such amazing virtuosity. A phrase from a Nusrat qawwali that I use to describe my feelings for the late genius.įor many years before he became a towering figure in world music, Nusrat Fateh Ali Khan, the great Pakistani qawwal, was sold on cheap tapes at Sufi shrines in the subcontinent.